Beat It by Michael Jackson — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

To recreate the iconic tone of 'Beat It', we'll use the Squier Classic Vibe '60s Stratocaster and the Fender Mustang LT25. The Strat's bright single-coils will be compensated to mimic the humbucker sound, while the Mustang LT25 will provide the necessary high-gain and British crunch. We'll start with the 'METAL LEAD' preset and adjust for a tight, aggressive tone with bright articulation.

Signal chain settings

Squier Classic Vibe '60s Stratocaster — Main guitar

ControlSettingWhy
Pickup SelectorBridge PickupSelect the Bridge Pickup for a sharper, more aggressive tone.
Master Volume8Set to 8 to maintain clarity while pushing the amp into saturation.
Tone 1Leave at defaultNot used for the bridge pickup.
Tone 27Roll back slightly to reduce brightness and emulate a humbucker's warmth.

Fender Mustang LT25 — Main amplifier

ControlSettingWhy
Preset[11] METAL LEADThis preset provides the high-gain and British crunch necessary for the song.
Gain7Increase from the preset to achieve the saturated tube crunch characteristic of the song.
Volume6Set to 6 to balance output without overpowering the tone.
Treble6.5Boost to enhance brightness and articulation without harshness.
Bass5Keep at 5 to maintain a balanced low end that complements the scooped mids.
Master5Set to 5 to control overall output and maintain dynamic response.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.

Section guide — how the tone changes through the song

Intro

The intro features a sharp, driven tone with distinct crunch, emulating the recording's use of a Gibson Les Paul through a Marshall amp.

  • the pedal: Gain → 8

What Michael Jackson actually used

The recording of 'Beat It' featured a blend of rock and pop elements, with Eddie Van Halen contributing a memorable guitar solo using his custom Frankenstrat guitar through a rented Marshall amplifier and an Echoplex for delay effects. Rhythm guitars were provided by Steve Lukather and Paul Jackson Jr., though specific details about their equipment are not well-documented. The track also incorporated advanced synthesizer technology of the time, including the Synclavier for the intro and the Synergy synthesizer combined with electric bass for the bass line. Drum programming was initially done using a Roland TR-808, complemented by live drumming from Jeff Porcaro and additional percussion from Michael Jackson himself, who beat on a drum case.

  • Eddie Van Halen's Frankenstrat — guitar solo. Custom-built guitar with a single humbucker pickup
  • Echoplex — guitar solo. Used for delay effects
  • Rented Marshall amplifier — guitar solo. Specific model unknown
  • Steve Lukather's guitar — rhythm guitar. Specific model unknown
  • Steve Lukather's amplifier — rhythm guitar. Specific model unknown
  • Paul Jackson Jr.'s guitar — rhythm guitar. Specific model unknown
  • Paul Jackson Jr.'s amplifier — rhythm guitar. Specific model unknown
  • Synclavier digital synthesizer — intro synthesizer. Used for the iconic seven-note intro
  • Synergy synthesizer — bass line. Combined with electric bass guitar
  • Roland TR-808 drum machine — drum programming. Used for initial drum programming
  • Drum case — percussion. Michael Jackson beat on a drum case for additional percussion

Sources