Fade to Black by Metallica — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

This setup aims to capture the dynamic range of 'Fade to Black' by using the Fender Mustang LT25's modeling capabilities to approximate the Marshall JCM crunch and the Squier Stratocaster to mimic the humbucker tone. The clean intro transitions into a saturated crunch, with subtle reverb to enhance the ambiance.

Signal chain settings

Squier Classic Vibe Stratocaster '60s — Main rhythm tone

ControlSettingWhy
Pickup SelectorNeck PickupSelect the neck pickup for a warmer tone in the clean intro.
Master Volume7Set to 7 for a balanced output that matches the dynamics of the recording.
Tone 110Tone wide open — roll it down to soften the high end.
Tone 210Tone wide open — roll it down to soften the high end.

Fender Mustang LT25 — Main amplification

ControlSettingWhy
Preset04 CLASSIC ROCKClosest starting point for the Marshall JCM crunch sound.
Gain6Set to 6 to achieve the saturated tube crunch in heavy sections.
Volume5Advisory setting from player evidence; balances the overall output.
Treble6Advisory setting from player evidence; adds brightness to the distorted sections.
Bass5Set to 5 to maintain a balanced low end without overpowering the mids.
Master8Advisory setting from player evidence; ensures sufficient headroom and dynamics.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.
EffectsNot usedNot needed for this tone — leave it off.

Section guide — how the tone changes through the song

Intro Clean

The intro features clean arpeggiated chords with subtle reverb, requiring a switch to a clean tone.

  • the pedal: Gain → 3
  • the pedal: Volume → 4

What Metallica actually used

Recorded at Sweet Silence Studios in Copenhagen, 'Fade to Black' features a blend of acoustic and electric guitars, marking Metallica's first foray into ballad territory. The recording sessions were notably impacted by the theft of the band's equipment prior to recording, leading to the use of various Marshall amplifiers.

  • Gibson Explorer — main rhythm. Used by James Hetfield during the recording sessions.
  • Gibson Flying V — lead. Used by Kirk Hammett for lead parts.
  • Wah-wah pedal — lead tone shaping. Hammett used the neck pickup and played through a wah pedal in the 'up' position to achieve a warm solo tone.
  • Marshall amplifier — main amplification. After Hetfield's amplifier was stolen, the band auditioned various Marshall stacks during the recording sessions.

Tuning: Standard

Sources