Holy Wars... The Punishment Due by Megadeth — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

To recreate the aggressive and tight tone of 'Holy Wars... The Punishment Due', we'll use the Fender Mustang LT25's 'THRASH OVERKILL' preset as a starting point. This preset provides a high-gain foundation suitable for the thrash metal style. The Squier Classic Vibe Stratocaster '60s will be used, compensating for its single-coil pickups by adjusting the amp's EQ to achieve a mid-forward character with prominent bass and treble.

Signal chain settings

Squier Classic Vibe Stratocaster '60s — main rhythm guitar

ControlSettingWhy
Pickup SelectorBridge PickupSelect the bridge pickup for a brighter, more aggressive tone.
Master Volume8Set to 8 to push the amp harder for more gain.
Tone 1Leave at defaultNot used for the bridge pickup.
Tone 27Roll back slightly to tame any harshness from the single-coil.

Fender Mustang LT25 — main amplifier

ControlSettingWhy
Preset[14] THRASH OVERKILLProvides a high-gain foundation similar to the Peavey 5150 used by Mustaine.
Gain8Increase to achieve the saturated crunch characteristic of the song.
Volume5Balance overall output without overpowering the mix.
Treble7Boost to enhance the bright attack and clarity.
Bass6Maintain a solid low-end presence for the heavy riffs.
Master6Output level — set to the volume you're playing at; this sets loudness, not tone.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.
EffectsNot usedNot needed for this tone — leave it off.

What Megadeth actually used

Recorded at Rumbo Recorders in Canoga Park, California, 'Holy Wars... The Punishment Due' features Dave Mustaine and Marty Friedman on guitars, utilizing Jackson King V guitars through Marshall JCM800 amplifiers, with overdrive from Boss SD-1 pedals. The recording was produced by Dave Mustaine and Mike Clink.

  • Jackson King V — main rhythm and lead. Equipped with Seymour Duncan JB and '59 pickups
  • Marshall JCM800 — main amplifier. Used with high gain settings
  • Boss SD-1 Super Overdrive — overdrive boost. Used to push the amp into further saturation
  • Lexicon PCM70 — reverb. Applied during mixing for depth

Tuning: Standard

Sources