Faint by Linkin Park — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

To recreate the aggressive and tight tone of 'Faint' by Linkin Park, we'll use the Fender Mustang LT25's high-gain capabilities and the Squier Classic Vibe Stratocaster '60s. The amp's modeling features allow us to approximate the Peavey 5150's high-gain sound, while the Stratocaster's bright single-coils will be compensated for with EQ adjustments to achieve the scooped midrange and emphasized bass and treble.

Signal chain settings

Squier Classic Vibe Stratocaster '60s — Main rhythm guitar

ControlSettingWhy
5-Position Blade SwitchBridge PickupSelect the bridge pickup for a tighter, more aggressive sound.
Master Volume8Set high to drive the amp harder and achieve the aggressive tone.
Tone 1Leave at defaultNot used for the bridge pickup.
Tone 26Roll off some brightness to avoid harshness from the single-coils.

Fender Mustang LT25 — Main amplifier

ControlSettingWhy
Preset Select[11] METAL LEADThis preset provides the high-gain structure necessary to emulate the Peavey 5150.
Gain8Increase gain to achieve the saturated distortion characteristic of the song.
Volume7Set to maintain a strong output without overpowering the mix.
Treble6Balance the brightness of the Stratocaster's single-coils with the preset's EQ.
Bass7Emphasize the low end to match the scooped midrange of the original tone.
Master6Output level — set to the volume you're playing at; this sets loudness, not tone.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.
EffectsNot usedNot needed for this tone — leave it off.

What Linkin Park actually used

The recording of 'Faint' featured Brad Delson using an Ibanez RG7 7-string guitar tuned to Drop B, processed through an Ibanez TS9 Tube Screamer and a Boss NS-2 Noise Suppressor into a Peavey 5150 amplifier. The track also incorporated a live string section arranged by Mike Shinoda and David Campbell, recorded at NRG Studios in 2002.

  • Ibanez RG7 7-string — main rhythm. tuned to Drop B
  • Ibanez TS9 Tube Screamer — overdrive. gain at 3, tone at 6, level at 7
  • Boss NS-2 Noise Suppressor — noise gate. hard cutoff
  • Peavey 5150 — main amplifier. gain at 10, bass at 7, mids at 3, treble at 6, presence at 6
  • Live string section — string arrangement. arranged by Mike Shinoda and David Campbell

Tuning: Drop B

Sources