When I Come Around by Green Day — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

To capture the tone of 'When I Come Around,' we'll use the Squier Classic Vibe Stratocaster '60s with its bright single-coil pickups and the Fender Mustang LT25 modeling amp. We'll start with the '04 CLASSIC ROCK' preset, which provides a suitable British crunch character. Adjustments to gain and EQ will help achieve the mid-forward, punchy sound typical of the era.

Signal chain settings

Squier Classic Vibe Stratocaster '60s — Main rhythm tone

ControlSettingWhy
Pickup SelectorBridge PickupSelect the bridge pickup to emulate the humbucker tone heard on the record.
Master Volume8Set to 8 for a balanced output that complements the amp's crunch.
Tone 1Leave at defaultNot used for the bridge pickup.
Tone 27Roll back slightly to tame brightness from the single-coil pickup.

Fender Mustang LT25 — Main amplifier

ControlSettingWhy
Preset04 CLASSIC ROCKThis preset provides a British crunch character similar to the Marshall Plexi.
Gain6Set to 6 to achieve the moderate overdrive and crunchy saturation.
Volume5Balanced volume to maintain clarity and dynamics.
Treble6Set to 6 for a bright and articulate tone without harshness.
Bass5Balanced bass to support the mid-forward character without overpowering.
Master5Set to 5 to maintain overall volume and dynamics.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.
EffectsNot usedNot needed for this tone — leave it off.

Section guide — how the tone changes through the song

Verse

The verse tone is cleaner and brighter with a touch of reverb.

  • the pedal: Gain → 4

What Green Day actually used

For the recording of 'When I Come Around' from the album 'Dookie', Billie Joe Armstrong primarily used his Fernandes Stratocaster copy, known as 'Blue', fitted with a Seymour Duncan JB humbucker in the bridge position. This guitar was played through a Marshall JCM900 amplifier, with settings estimated to achieve the song's distinctive tone. Additionally, a modified Marshall 1959 Super Lead Plexi, identified by a 'Pete' logo, was part of his setup during this era. The recording took place in 1993, with Rob Cavallo producing.

  • Fernandes Stratocaster copy — main rhythm. equipped with a Seymour Duncan JB humbucker in the bridge position
  • Marshall JCM900 — main amplifier. settings estimated: Bass: 5, Middle: 6, Treble: 6, Presence: 4, Gain: 6, Master Volume: 5, Reverb: 0
  • Marshall 1959 Super Lead Plexi (modified) — secondary amplifier. modified with a 'Pete' logo spray-painted on the front

Tuning: Standard

Sources