Money for Nothing by Dire Straits — Amp Settings & Guitar Tone

Reference tone dialed on a Squier Classic Vibe Stratocaster into a Fender Mustang LT25. Settings below are cited from real sources; open the page in a browser for the interactive version, or get this tone dialed for your exact gear.

To recreate the iconic 'Money for Nothing' tone, we'll use the Squier Classic Vibe '60s Stratocaster and the Fender Mustang LT25. The Strat's single-coil pickups will be adjusted to mimic the humbucker sound, while the Mustang LT25 will emulate the Marshall Plexi crunch. The 'cocked wah' effect is not available, but we'll focus on achieving the mid-forward, nasal quality through EQ adjustments.

Signal chain settings

Squier Classic Vibe '60s Stratocaster — main riff guitar

ControlSettingWhy
Pickup SelectorBridge PickupSelects the bridge pickup to emulate the Les Paul's sharp, cutting tone.
Master Volume7Rolled off slightly to control the brightness of the single-coils.
Tone 1Leave at defaultNot used for the bridge pickup.
Tone 25Set to 5 to tame the high-end and achieve a more mid-focused tone.

Fender Mustang LT25 — main riff amp

ControlSettingWhy
Preset04 CLASSIC ROCKClosest preset to the Marshall Plexi sound required for the song.
Gain6.5Pushes the amp into a crunchy, overdriven state similar to the original recording.
Volume5Balanced to maintain clarity without overpowering the tone.
Treble6Adds brightness to match the nasal quality of the original tone.
Bass4Keeps the low end tight and focused, avoiding muddiness.
Master5Set to a moderate level to maintain dynamics and articulation.
Cabinet buildNot usedNot needed for this tone — leave it off.
Amp ModelsNot usedNot needed for this tone — leave it off.

Section guide — how the tone changes through the song

Main Riff

The main riff requires a heavily distorted tone with a sharp edge, emulating the studio setup with a Les Paul and Laney amp.

  • the pedal: Gain → 7

What Dire Straits actually used

The distinctive guitar tone on 'Money for Nothing' was achieved through a combination of Knopfler's fingerpicking technique, the specific mic placement on the Laney amp, and the studio's signal processing chain. The recording took place at AIR Studios in Montserrat, with Neil Dorfsman as the producer.

  • 1958 Gibson Les Paul Standard — main riff. bridge pickup
  • Laney L5T-112 Lionheart — main riff amplification. mic'd with a Shure SM57
  • Neve 31102 preamp — signal processing. EQ settings unknown
  • Urei 1176LN compressor — signal compression. settings unknown

Tuning: Standard

Sources